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@ƒRƒ“ƒT[ƒg—š—π@‘ζ10‰ρ`

‘ζ10‰ρ@1991”N10ŒŽ26“ϊuƒsƒAƒmEƒ\ƒƒRƒ“ƒT[ƒgv
@@@@@’†“c‹žŽq(p)

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‘ζ11‰ρ@1991”N11ŒŽ2“ϊuƒWƒƒƒY‚Μ—πŽj‚ΖIMPROVISATION‚ΜŽΐŒ±v
@@@@@‹{‘ςΊ(ts)–]ŒŽ‰p–Ύ(b)‘Ύ“c‹Ο(p)
@@@@@ƒ}ƒCƒNEƒŒƒYƒjƒRƒt(ds)XŒ•(as,cl)
@@@@@ŠC•Ϋˆΐ’Γ—Y(tp)…–쏲(tb)

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‘ζ12‰ρ@1991”N11ŒŽ30“ϊuƒ‰ƒrƒgƒŠƒIv
@@@@@i“‘‹`•(vln)™‰YŒO(vla)’†“c‹žŽq(p)

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‘ζ13‰ρ@1992”N1ŒŽ26“ϊuYAMASHITA AT STUDOI Fv
@@@@@ŽR‰Ί—m•γ(p)¬Όƒ„ƒXƒV(b)–x‰zƒAƒLƒ‰(ds)

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‘ζ14‰ρ@1992”N3ŒŽ14“ϊuˆΙ“‘ŒNŽq AT STUDIO Fv
@@@@@ˆΙ“‘ŒNŽq(v)βˆδg‰ξ(b)‹{–μO‹I(g)
@@@@@‘εΞŠw(p,keyboard)‹g”φŒφO(ds)

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‘ζ15‰ρ@1992”N3ŒŽ21“ϊu–x—Η‰ξƒ`ƒFƒ‰‰‘t‰οv
@@@@@–x—Η‰ξ(cello)ˆΙ“‘m”ό (p)

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‘ζ16‰ρ@1992”N7ŒŽ7“ϊuƒ^ƒCƒ€ƒŠ[EƒRƒ“ƒT[ƒgv
@@@@@•τŒϊ‰ξ(ts)”Β‹΄•Ά•v(p)ˆδ–μM‹`(b)
@@@@@‘Ίγа(ds)XŽRˆΠ’j(ds)

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‘ζ17‰ρ@1992”N9ŒŽ5“ϊuSUMMER SESSION T MORIYAMA 2 DAYSv
@@@@@XŽRˆΠ’j(ds)”Β‹΄•Ά•v(p)
@@@@@ˆδγi•F(ts)–]ŒŽ‰p–Ύ(b)

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‘ζ18‰ρ@1992”N10ŒŽ3“ϊuGruppo di CAPERA JOINT CONCERT Vol.4v
@@@@@Β–Ψ‘fŽq(M.SOP)‘ε‹v•ۏGŽž(BAR)
@@@@@…“c’©Žq(p)“c‘Ί~ˆκ(p)

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‘ζ19‰ρ@1992”N12ŒŽ19“ϊuCLASSIC CONCERTv
@@@@@Žα—ΡˆŸ—R(vln)ŒΓ‘ςΒ(cello)Ё“c”ό(p)

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